![]() ![]() The definition of aural rehabilitation (AR), as well as the terminology used to describe the practice of AR, has varied and evolved over the years. See the Treatment sections of the Hearing Loss (Adults) Evidence Map, the Tinnitus Evidence Map, and the Central Auditory Processing Disorder (CAPD) Evidence Map for summaries of the available research on this topic. He continues to work as a musician, as well as a graphic designer and music technology consultant.The scope of this page is aural rehabilitation for adult populations ages 18 and older. An in-demand music copyist and transcriber, Bill has worked for Harry Connick Jr., the Boston Pops, George Benson, Lyle Mays, and classical composer Thomas Oboe Lee. He became one of Boston’s most proficient jazz guitarists, playing in numerous bands with top area musicians like Jerry Bergonzi, Grover Mooney, and Garrison Fewell. Bill started out as a rock and R and B guitarist in his native Georgia, eventually joining Motown to work with David Ruffin after the singer left the Temptations. During his 15 years at the college, Bill was also a highly respected professor, teaching ear training, solfege, arranging, harmony, jazz counterpoint, ensembles, and private guitar lessons, and authoring two jazz counterpoint courses and a music copying course. A Berklee graduate with a degree in composition, Bill joined the faculty in 1976. Please contact with any questions.īill Brinkley is the developer and former director of the Center for Computer Aided Instruction in Music, Berklee’s first research facility investigating the use of computer technology in a music curriculum. Free options, such as GarageBand (Mac), Cakewalk by BandLab (PC), or Audacity, are acceptable.Īfter enrolling, be sure to check out our Student Deals page for various offers on software, hardware, and more. Digital Audio Workstation (DAW) or multi-track audio editor/recorder. ![]()
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